A world, one frame after another, a face.
The lens steals its truth through focus, aperture,
each plane a face, flattened
with solemnity or grandeur, sexiness or grace,
craven or upright,
a world words cannot speak.
Tribal wars, evictions,
the daily life of slums.
Before a church, stars pose nude.
A tale of poison gas and Tokyo subways.
Their silence mocks the Wall Street crash.
Shadow weaves its threads across the light,
black, white, so many depths of grey.
How much can glass withstand?
Countless faces, none its own.
Without tricky composition
the lens can’t take it, leaping free
as if the mute camera remembers
years ago the crazed man
snapped leaping from a ledge.
No glass can match the pavement,
each sun-shattered
fragment one refraction,
a street of broken faces.
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