Small slender thumbtacks
fix his image to a white run of wall
whiter than Mary’s thoughts
imprinted with the greys of her son’s grey shadow.
A hundred Marys weep in the museums.
You can’t of course see the thumbtacks
for that white wall’s no mountain
from those dry and barren days.
Someone coughs on Golgotha,
someone drives by,
their dust swirling the mountain
and its streak of sky
off the flaking fresco.
The wall where nothing lasts
cannot pick out
his grey shadow, ripe for any cross,
his form cut from a tree
by tenth-century hands.
His arms make three sections
just like his body,
its fingers and toes
grown longer than our own,
as if to close us in,
as if they’d snatched at some infinite spiral,
his nails just grazing its end.
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