Now, after love, you and I relearn
the fundamental landscape, a naïve
painting that is nothing more
than it appears – railroad, pine grove, water tank,
the irrelevance of literature. Soon
the proper aesthetic distance will
assert itself and we’ll describe
those shivers and moans. Meanwhile
let us gaze out the window at the October
sunset, and the end of another
luminous day. We should give thanks
for small favors: here comes that old
engine driver, the moon, hauling her cargo
of stars across the vast prairie of sky.
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